Beneath The Silk's Skin - زیر پوست ابریشم

In this project, I explored traditional embroidery techniques from Iran and Afghanistan—particularly "Pateh Doozi" and "Soozan Doozi"—forms of intricate needlework deeply rooted in cultural storytelling. These methods served as living histories passed down through generations. By transforming these techniques, I created small, hand-held objects that highlighted the labour, texture, and tactile presence embedded in each piece, incorporating metal chains, wires, cloth, DMC threads, and paper hardened with craft glue. The installation featured interactive elements with sensors embedded in the plinth that triggered light projections and audio when objects were touched. These sounds and visuals drew from personal and collective memory, creating a multimedia experience where the viewer's engagement activated atmospheric responses. This sensory layering echoed the richness of traditional crafts, especially those undervalued in western art contexts. Through this work, I aimed to reclaim these practices as dynamic forms of expression rather than static cultural artifacts. The project challenged how craft, cultural depth, and labour are valued across cultures, integrating traditional methods with contemporary sculptural and interactive media to invite more intimate encounters with the work.